Did you ever start on a project that, for several reasons, just wouldn’t go anywhere?
Yeah, me too.
I had grand plans for my historical failure analysis method. I still do. But it needs far more work than I can put into it right now. This blog was started to sell books. Working on a failure analysis method ain’t doing it. For whatever reason, my connection with LinkedIn has become problematic, so my feedback loop has become muted.
So, what to do?
History is part legend, part fact, but mostly interpretation of those who have gone before us.Attributed to George Santayana (1863-1952)
JDB Communications, LLC still needs to sell books. I still need to draw reader attention to what the company and I are up to. The blog does sell some books; I know that. Thanks to whoever you are. But that don’t pay the bills very well in and of itself. Most sales come from the initial release announcements; some come later or result from secondary ads after whatever I rave about in front of the plugs for books. I used to work for a marketing firm, so I know what to look for. I hated marketing and have since become marketing/sales adverse–you should hear what I say to telemarketers and the poor peddlers who knock on my door.
I’m a historian of a logical, technical bent, which may not be a good thing but a somewhat unique one. I’m also told I craft good stories, though I wish more people would say that in reviews. In writing and researching my latest novel, The Past Not Taken, I’ve (re)discovered that the writing of history depends not on sources as much as analysis and interpretation. So many sources may not be what they seem to be, as we can see from the 1619 Project and its rebuttals–a topic I explore in The Past Not Taken.
What? I’m here to sell books!
Still with the what to do with the blog issue. OK, I did a lot of timeline stuff at one time before I did a reset in 2019 for personal reasons. Actually, that was March, too. I’ve generally avoided contemporary issues, but I’ve thought about combining my historical bent with my analytical skills and coming up with something newer-ish.
Currently in the works I have a WWII novel, Steele’s Hammer, among other things. It’s about this Ned Steele fella who has a career in the Army and friends in higher places than most. It’s a little riff on Anton Meyer’s Once An Eagle, but with a twist. At the beginning of the war Steele’s wife and youngest son get trapped in the Philippines while he’s an observer in Russia. His daughter and older son are stateside and…well, you’ll have to wait for the rest. At root, it’s a family-related tale of personal sacrifice, daring-do, and loss, both private and not. I could blog about that period, this event, or that. But my interests are more wide-ranging than that.
One thing I did a few years back was Pearl Harbor Reconsidered that had some success. But how to sell books talking about that? Well, there’s a problem…
Money and Theme
This blog is on WordPress, and to have as much stuff on this website as I do, with the traffic and followers I have, is simply no longer cost-effective. For that reason, I’m going to go “free” on WordPress, and move most of this blog’s entries to Substack (jdbcom.substack.com), where monetization is cheap and straightforward.
And there’s a thematic issue, as well. Sell books, OK. Talk about history, OK. But what about history? Writing The Past Not Taken got me thinking about how history is written and why. It isn’t as simple as “to tell the story of the past.” There’s a great deal more involved in talking about the past than just restating the sources. As we now know from the fallout of the 1619 Project, there are politics involved. Politics of race, of power, of class, and of pedagogy.
Writing history is as much about the present as it is about the past.John D. Beatty
Telling the story of the past is fraught with current perceptions, past prejudices, and the dangers of self-censorship. There isn’t a major historical event that cannot be interpreted–and presented–more than one way. Much of the success of the 1619 Project, I submit, has to do with the presentation of a complete learning package that keeps the instructor from having to build a lesson plan. Primary grade teachers are already overloaded and often under-compensated. What’s more, teaching critical race theory based on the 1619 Projects assumptions becomes simple…and it keeps the screaming cancellers of pedagogy at bay.
But I digress…sort of. While the 1619 Project is based on false assumptions and the intentional misreading or denial of primary sources on those subjects, it is thought-provoking. Why was it written? Why did so many people jump on the bandwagon so quickly? I submit that its introduction in 2019 was greeted with wild acceptance among progressives who, smarting under the supposed tyranny of Donald Trump, found a new pedagogic model to contextualize their rage against a society that rejected their “truths” about race.
Simple as that…maybe. Of course, it’s just an opinion (a lot of history is just that), but a carefully considered one that fits the evidence. And it’s called…
What if someone wrote an utterly wrong history book? What if a text’s entire content was seen through a current political fashion filter? What if I told you that many of them are, have been, and always will be? I refer you to the (possible) Santayana quote above. Do you know another quote that’s not only possible but also controversial?
The difference between revenge and justice is who’s hand is on the rope.Attributed to Charles Lynch (1736–1796)
You see, there was a “Judge” Lynch–a Quaker justice of the peace–whose irregular Virginia court during the American Revolution punished loyalists with fines, forced oaths of allegiance, and forced enlistments. His courts and trials weren’t based on any laws except those he made himself. Note that he never hanged anyone, but the term “lynched” is said to stem from his name and actions, which were legitimized by the Virginia House Of Burgesses after the fact.
A lynching is said to be an illegal–or extralegal–execution. It is accurately attributed to almost any summary punishment. But think about what he’s quoted as saying. Is there really a difference between what private individuals do and what the state does? It could be the same action, now couldn’t it?
So goes history and its all-too-frequent judgment. A historian should not judge the actions of those in the past, though they often do, usually for political reasons. Case in point: once again, the 1619 Project. Their reinterpretation is based on a fiction: that a handful of Africans were enslaved as soon as they landed in Jamestown in 1619. The object of this fraud, quite possibly, is to prepare the ground for reparations.
So, what’s the future of this blog? History Reconsidered on Substack. Often related to my books, but sometimes not. That AND regular book plugs, of course. Click over, subscribe, join the discussion.